Books and Publication ads for sale in Maffra, VIC

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A Very Alive Man: A Farewell to David Ngoombujarra

A Very Alive Man: A Farewell to David Ngoombujarra

The Australian film industry lost an immensely talented actor with the death of David Ngoombujarra in 2011. Lorraine...
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Pip Karmel: Not What You'd Call an 'Ally McBeal' Fan

Pip Karmel: Not What You'd Call an 'Ally McBeal' Fan

In a fusion of baclkash and 'stating the bloody obvious', single-woman narratives have been attracting niche film and...
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Impression that You Get DVD-ROM, The

Impression that You Get DVD-ROM, The

A teacher and student DVD-ROM resource discussing young people's use of pornography, its harms and effects, and raunch...
$110.00
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Such Is My Love: Rhys Graham's Galore

Such Is My Love: Rhys Graham's Galore

The places where we spend our youth mould us in ways that we don't always appreciate or understand. Sarinah Masukor...
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Towards a Postmodern Avantgarde: The Temporality of the Refrain in Three Films of Wong-kar-Wai

Towards a Postmodern Avantgarde: The Temporality of the Refrain in Three Films of Wong-kar-Wai

Crompton explores a form of temporality in the use of musical refrains, in Ashes of Time, Days of Being Wild and In the...
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Discoveries and Revelations of the Melbourne International Film Festival 2005

Discoveries and Revelations of the Melbourne International Film Festival 2005

Trbic interviews James Hewison and members of his team about the conception and the highlights of MIFF 2005.
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Planetary Provocations: Lars von Trier's Melancholia

Planetary Provocations: Lars von Trier's Melancholia

Gabrielle O'Brien explores the duality and existentialism at work in this complex and challenging film from Lars Von...
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Sitting in the Dark: The Melbourne Uni Film Society

Sitting in the Dark: The Melbourne Uni Film Society

Leo Berkeley reminisces 1975 as a good year to be obsessed by movies.
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Imagining the post-modern: Subjectivity and 'Strictly Ballroom'

Imagining the post-modern: Subjectivity and 'Strictly Ballroom'

'The film "Strictly Ballroom" (Baz Luhrmann, 1992) could be construed as a post-modern fairytale. It contains many of...
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Reinventing the Media Classroom: Arguments from Both Sides

Reinventing the Media Classroom: Arguments from Both Sides

Schwartz examines the need to reinvent the media classroom in light of the overwhelming evidence of the growth of new...
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Getting the Community TV Go-Go: Duke and Leon's Film School

Getting the Community TV Go-Go: Duke and Leon's Film School

Filmmaker Leon Fish writes about the the creation of his television series Duke and Leon's Film School, which shows...
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Through the Lens: Interviews from the Australian Film Theory and Criticism Project - Michael Eaton

Through the Lens: Interviews from the Australian Film Theory and Criticism Project - Michael Eaton

Michael Eaton is a Nottingham-based dramatist known for TV drama documentaries such as Why Lockerbie?, Shoot To Kill,...
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Dangerous Kisses: The Changing Face of Hindi Cinema

Dangerous Kisses: The Changing Face of Hindi Cinema

Alice Rosenbaum looks at the development of Hindi cinema. The article covers the move away from traditional Bollywood...
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Time to Go John: How to Teach a Politically Engaged Media Program?

Time to Go John: How to Teach a Politically Engaged Media Program?

Boris Trbic discusses the compilation of nineteen Australian films produced before the Australian Federal Election...
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Media Production Design Elements for Video or Film

Media Production Design Elements for Video or Film

Chris Mills and his students came up with a list of things they thought necessary to include in a production design for...
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The Big Picture - Australian Box Office Wrap: Domestic Shares

The Big Picture - Australian Box Office Wrap: Domestic Shares

In this installment of The Big Picture, Matthew Hancock looks the history of Australia's theatrical domestic share and...
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The Digital Media Revolution: Diversions or Diversity in a World of Limitless Connectivity?

The Digital Media Revolution: Diversions or Diversity in a World of Limitless Connectivity?

An analysis of the culture of digital connectivity, including how it has become a central pillar of Australian media...
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'The Third Man': Background and Context & Genre and Influences (Film as Text)

'The Third Man': Background and Context & Genre and Influences (Film as Text)

This article includes parts three and four of Mark Nicholls' series on Carol Reed's 'The Third Man'. These two sections...
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The Simpsons and Surrealist Art

The Simpsons and Surrealist Art

Kevin Lavery looks at how to use The Simpsons to teach surrealist art.Additional keywords:Let's get animated, middle...
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Encouraging Deaf Students to Take Media Studies Subjects

Encouraging Deaf Students to Take Media Studies Subjects

There are many new issues surfacing which will affect teachers, and one of the most important of these concerns is the...
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'Between Emptiness and Phenomena'

'Between Emptiness and Phenomena'

This article is an interview with Frank Cox of Newvision Films, who released Kundun (Martin Scorsese, 1997) in mid-June...
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10 Tools for 'Reading' Television News

10 Tools for 'Reading' Television News

An excellent teaching and learning resource for secondary students of English and Media. Christensen provides a succint...
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Lateral Deviations: 'Alice Doesn't Live Here Anymore' and Questions of Authorship

Lateral Deviations: 'Alice Doesn't Live Here Anymore' and Questions of Authorship

It was one of Martin Scorsese's first films, and remains an outlier in his body of work, but Alice Doesn't Live Here...
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Off the Beaten Track: Lost Things

Off the Beaten Track: Lost Things

Hoskin points out that: 'Given Stephen Sewell's theatrical background, it's tempting to assess Lost Things as more of a...
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September and the Subtle Side of Racism: An Interview with Peter Carstairs

September and the Subtle Side of Racism: An Interview with Peter Carstairs

Rowena Robertson interviews September director Peter Carstairs. The interview covers the film's genesis and casting, as...
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To Whelm or Not to Whelm: 10 Things I Hate About You

To Whelm or Not to Whelm: 10 Things I Hate About You

Film as Text. With sophisticated dialogue full of witty and elegant wordplay, and plot and characters struggling (and...
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Film as Text

Film as Text

These notes were compiled in the course of teaching The Commitments (Alan Parker, 1991) as a text in a VCE Unit 1...
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Jane Campion and Urban Anxiety

Jane Campion and Urban Anxiety

This article by Andrew Zielinksi looks at the representation of the urban in Australian cinema through an examination of...
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Creative Commons: An Overview for Educators

Creative Commons: An Overview for Educators

Tama Leaver explains Creative Commons and its application in the classroom. The Creative Commons organisation was...
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Down these mean streets a man must go

Down these mean streets a man must go

Much discussion of film noir focuses on the alluring yet destructive figure of the femme fatale, however in this article...
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