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A Day in the Life: Composer Peter Best

A Day in the Life: Composer Peter Best

Peter Best writes about his life as a film composer.
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A Day in the Life: Entertainment Lawyer Lyndon Sayer-Jones

A Day in the Life: Entertainment Lawyer Lyndon Sayer-Jones

Lyndon Sayer-Jones writes about his work as an entertainment lawyer.
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A Day in the Life: Harold Blair

A Day in the Life: Harold Blair

Steve Thomas writes about the experience of making Harold, a documentary that tells the story of Aboriginal tenor Harold...
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A Day in the Life: Lyndon and Lloyd Sharp

A Day in the Life: Lyndon and Lloyd Sharp

Lyndon Sharp and Lloyd Sharp of the Interactive Design Group of the Board of Studies NSW have created six Australian...
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A Day in the Life: Mark Atkin

A Day in the Life: Mark Atkin

I have always assumed I had become an editor by chance after years of dabbling in various areas of filmmaking. But...
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A Day in the Life: Random Thoughts from Troy Innocent

A Day in the Life: Random Thoughts from Troy Innocent

Troy Innocent is a new media artist based in Melbourne. His recent work Idea-ON>! has been exhibited internationally,...
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A Day in the Life: Sue Milliken

A Day in the Life: Sue Milliken

Sue Milliken writes about working in the film industry as an independent producer.
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A Day in the Life: Tait Brady

A Day in the Life: Tait Brady

Tait Brady is now (at the time of writing) General Manager of Palace Films, and given the occasion of the 1997 Melbourne...
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A Delicate Magic: 'Clutch'

A Delicate Magic: 'Clutch'

Grisha Dolgopolov reviews the acclaimed Australian short film 'Clutch' (Jackie Shulz, 2003). 'Clutch is a film about men...
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A Delicately Crafted Somersault

A Delicately Crafted Somersault

In his analysis of Somersault, Cenere examines the narrative and character development, Shortland's attention to detail...
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A Dense Web of Relationships: How Film Culture Sustains the Screen Industries

A Dense Web of Relationships: How Film Culture Sustains the Screen Industries

Today, conversations about the screen sector are increasingly putting industry concerns relating to commercial success,...
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A Different Kind Of Paradise: Reality Television in New Zealand

A Different Kind Of Paradise: Reality Television in New Zealand

'New Zealand is fertile territory for reality television. As a crossing point for popular programming from both the UK...
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A Different Shade of Evil: Questions of Ethics in Maleficent

A Different Shade of Evil: Questions of Ethics in Maleficent

This reimagining of one of Disney's most notorious fairytale villains asks us to reconsider the classic narrative...
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A Different Stage: Film, Theatre and the Space Between

A Different Stage: Film, Theatre and the Space Between

There is a long, rich history of interaction between the stage and the screen, with each discipline drawing upon the...
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A Documentary Funding Tale - With A Happy Ending

A Documentary Funding Tale - With A Happy Ending

Gandolfo tells of not losing faith in a cause you think worthy. She has fought for five years to get the funding to...
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A Dream Within a Dream

A Dream Within a Dream

James Brown speaks to filmmaker Richard Linklater about the twenty-year wait for the dreamy Waking Life (2001).
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A Drop in the Ocean: Leaky Boat and Go Back to Where You Came From

A Drop in the Ocean: Leaky Boat and Go Back to Where You Came From

The treatment of so-called 'boat people' who arrive on our shores has been perhaps the most divisive issue in Australia...
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A Familiar Track: Looking Under the Hood of Owen Trevor's 'Go!'

A Familiar Track: Looking Under the Hood of Owen Trevor's 'Go!'

In part a nostalgic homage to coming-of-age films of another era, Owen Trevor's kinetic take on the sport of...
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A Family Affair: The Moodys and the Revisited Australian Sitcom

A Family Affair: The Moodys and the Revisited Australian Sitcom

Australian television comedies tend to play it safe – something about the workplace, the stumbling bogan, the...
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A Few Words About Frank Hurley

A Few Words About Frank Hurley

When they were starving, he was the man who was still cheerful, who went and shot a seal for food … He developed...
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A Film Studio at Your Fingertips: Using Machinima in the Classroom

A Film Studio at Your Fingertips: Using Machinima in the Classroom

Looking for ways to develop practical filmmaking experience without spending impossible amounts of time and money?...
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A Fine Balance: Making Hula Girls for International Television

A Fine Balance: Making Hula Girls for International Television

Trevor Graham describes the multi-faceted approach he used to get his documentary Hula Girls to an international...
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A Foot in Both Worlds

A Foot in Both Worlds

David Hirschfelder talks about his experience of filmmaking in Australia, America and England – and about music.
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A Foreign Country

A Foreign Country

John Hookman travelled inSseptember 1999 to South Africa where he began shooting a documentary film called A World...
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A Fresh View: The Campaign for an Australian Children's Television Channel

A Fresh View: The Campaign for an Australian Children's Television Channel

Looks at the four-year campaign initiated by the Australian Children's Television Foundation to found a dedicated...
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A Future Forlorn: David Michod's The Rover

A Future Forlorn: David Michod's The Rover

David Michôd's follow-up to the acclaimed Animal Kingdom tackles similarly bleak territory – the world has...
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A Future Victorian Adventure: The Mysterious Geographic Explorations of Jasper Morello

A Future Victorian Adventure: The Mysterious Geographic Explorations of Jasper Morello

A Film as Text on The Mysterious Geographic Explorations of Jasper Morello (Anthony Lucas, 2005). The film uses a...
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A Gendered Educational Agenda: What's Wrong with 10 Things I Hate About You?

A Gendered Educational Agenda: What's Wrong with 10 Things I Hate About You?

A Film as Text by Erica Hateley. Hateley suggests that William Shakespeare's play The Taming of the Shrew, and Gil...
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A Gleeful Art Goes Back to Black: Les Miserables and the Modern Musical

A Gleeful Art Goes Back to Black: Les Miserables and the Modern Musical

The reappropriated pop tunes are out and there isn't a choreographed number in sight. Welcome to the new musical film,...
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A Good Return: The 20th Australian International Documentary Conference

A Good Return: The 20th Australian International Documentary Conference

Tina Kaufman's review of the 20th Australian International Documentary Conference, held in Adelaide in February 2007....
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