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Felix Mendelssohn â Songs Without Words


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A comprehensive Urtext edition containing all eight collections of Mendelssohnâs Songs Without Words, including the collections published during his lifetime and those published posthumously. The edition also includes an appendix with additional surviving pieces, including two works not previously available in modern editions.
Includes two pieces which have not previously been available in modern editions
Critical Edition of one of Mendelssohnâs major works
Detailed foreword (Eng/Ger), Critical Commentary (Eng) and facsimiles
With fingerings by the noted Mendelssohn interpreter Matthias Kirschnereit
Fanny Mendelssohn received a lyrical piano piece as a birthday present from her brother Felix in 1828; he wrote it out in her music album, and she called it âLied ohne Worte â (Song without Words). Mendelssohn wrote such songs for piano, âtrue music, which fill a personâs soul with a thousand better things than wordsâ, throughout his life. He himself saw six collections into print between 1832 and 1845. Two further collections containing pieces from the composerâs unpublished works were published posthumously.
As suited their character, Mendelssohnâs âLieder ohne Worte â were primarily rooted in domestic music-making in the home, in the middle-class parlours, between comfortable paintings and Biedermeier furnishings. Increasingly they came to be heard in the concert hall. In addition, travelling virtuosi took up these rather reserved pieces, helped popularise them and made them into what they still are today â pillars of the repertoire.
This edition includes all the collections printed during Mendelssohnâs lifetime, together with those published posthumously. The appendix also contains a selection of the âLieder ohne Worte â which have survived individually, including two pieces which have not been available in modern editions until now.
The editor R. Larry Todd is regarded as one of the most renowned Mendelssohn scholars. He is well-known for both his numerous editions of the composerâs works and an extensive monograph.
Matthias Kirschnereit has made a name as a pianist in recent years through his interpretations of Mozart, and particularly for his magnificent recording of Mendelssohn.
Â
Songs Without Words, Book 1 â Op. 19b
Songs Without Words, Book 2 â Op. 30
Songs Without Words, Book 3 â Op. 38
Songs Without Words, Book 4 â Op. 53
Songs Without Words, Book 5 â Op. 62
Songs Without Words, Book 6 â Op. 67
Songs Without Words, Book 7 â Op. 85
Songs Without Words, Book 8 â Op. 102
Appendix â additional surviving Songs Without Words
Includes two pieces which have not previously been available in modern editions
Critical Edition of one of Mendelssohnâs major works
Detailed foreword (Eng/Ger), Critical Commentary (Eng) and facsimiles
With fingerings by the noted Mendelssohn interpreter Matthias Kirschnereit
Fanny Mendelssohn received a lyrical piano piece as a birthday present from her brother Felix in 1828; he wrote it out in her music album, and she called it âLied ohne Worte â (Song without Words). Mendelssohn wrote such songs for piano, âtrue music, which fill a personâs soul with a thousand better things than wordsâ, throughout his life. He himself saw six collections into print between 1832 and 1845. Two further collections containing pieces from the composerâs unpublished works were published posthumously.
As suited their character, Mendelssohnâs âLieder ohne Worte â were primarily rooted in domestic music-making in the home, in the middle-class parlours, between comfortable paintings and Biedermeier furnishings. Increasingly they came to be heard in the concert hall. In addition, travelling virtuosi took up these rather reserved pieces, helped popularise them and made them into what they still are today â pillars of the repertoire.
This edition includes all the collections printed during Mendelssohnâs lifetime, together with those published posthumously. The appendix also contains a selection of the âLieder ohne Worte â which have survived individually, including two pieces which have not been available in modern editions until now.
The editor R. Larry Todd is regarded as one of the most renowned Mendelssohn scholars. He is well-known for both his numerous editions of the composerâs works and an extensive monograph.
Matthias Kirschnereit has made a name as a pianist in recent years through his interpretations of Mozart, and particularly for his magnificent recording of Mendelssohn.
Â
Songs Without Words, Book 1 â Op. 19b
Songs Without Words, Book 2 â Op. 30
Songs Without Words, Book 3 â Op. 38
Songs Without Words, Book 4 â Op. 53
Songs Without Words, Book 5 â Op. 62
Songs Without Words, Book 6 â Op. 67
Songs Without Words, Book 7 â Op. 85
Songs Without Words, Book 8 â Op. 102
Appendix â additional surviving Songs Without Words
Location
Australia
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